TIME and OBSERVER

TIME… in connection with space it represents the prerequisite that makes human experiences possible. Time itself is unconditional and thus unfathomable. Events can solely be perceived linear, passing from past to future. Motion is the intrinsic discernible feature of time. Making time the topic of discussion involves contemplating three aspects:
That which was - far beyond what we can remember
That which will be – what we dare to plan, hope or expect
That which is - what nature and history has made us and the assignment challenging us in the present.

THE OBSERVER… he’s the one looking to distance himself from the momentum of contemporary events. Rather than keeping out he appreciates the view the front row provides him with. Or he hides in a dark corner where he can pursue his voyeuristic passion covertly and unnoticed. Likewise, there are those, who look away – in dismay, despair, disgust or simply as a flight response. Any reaction by the observer, even sheer apathy, impacts the flow of events.

THE ARTISTS … they are aware of their double role as both observer and participants. Shrewd eyes, focused attention, aesthetic awareness – these are the starting points for artistic practice. They enable the artists to shape the very experience of time.

The initial focus is directed by the present because current events take precedence and because it is here, that the lines of the past and the future cross.

The creation of works of art is the search for each one’s position regarding the question of time.

The artworks themselves become part of our contemporary narrative, … if, yes, only if an audience exist that reflects upon the works and who let themselves be intellectually stimulated and emotionally moved.

Text: Josef Pauschenwein

Translation: Werner W. Pauschenwein